You Never Take the Cover off the Car and it's Infuriating

You never take the cover off the car and it’s infuriating. It’s infuriating as it demonstrates to the rest of the world just how incapable of living you are, your incapability to leave the house, your inability to exist alongside others, to interact with civility. It demonstrates just how successfully you have achieved a completeContinue reading “You Never Take the Cover off the Car and it's Infuriating”

On Reading

Today I have read two books written by women, in fact I can’t remember the last time I read a book written by a man. I chose both these books for relatively straightforward reasons. One claimed to be a response to George Orwell’s essay Why I Write, and the other presented itself as a ‘manifesto forContinue reading “On Reading”

Temporary Intermittence

I know that my writing is not successful when I am not being honest, specifically when I am not being honest with myself. I have always used my writing to understand the world I live in, to understand how I form and partake in this world, to understand how I feel about myself; my actions,Continue reading “Temporary Intermittence”

Moving Out, Moving On

I am currently writing this sat on my one remaining cushion on the floor of my flat, where there is no furniture, surrounded by the last remnants of my current life. It’s the stuff that has no category, the stuff that will inevitably end up in the ‘last box of shite … I promise thisContinue reading “Moving Out, Moving On”

Morrissey, So Much to Answer For

I move in circles that love The Smiths. On my thirteenth birthday I was gifted three CDs: The Kooks (don’t judge me, at that tender age they appeared the most promising tall, skinny, curly-haired musicians around), The Stone Roses and The Smiths – Meat is Murder. I was instantly enamoured with Meat is Murder. BroughtContinue reading “Morrissey, So Much to Answer For”

This is not England: Shane Meadows and the Problematic North

  Location is never an accident in Shane Meadows’ work; it is meticulously searched for and manipulated. After This is England (2007) he released Somer’s Town (2008) and demonstrated a preoccupation with space so precise that he filmed in black and white, so that location appeared consistent throughout, as highlighted in this quote from MeadowsContinue reading “This is not England: Shane Meadows and the Problematic North”