Non Fiction – Page 2 – SAFFRON RAIN

On Reading

Today I have read two books written by women, in fact I can’t remember the last time I read a book written by a man. I chose both these books for relatively straightforward reasons. One claimed to be a response to George Orwell’s essay Why I Write, and the other presented itself as a ‘manifesto forContinueContinue reading “On Reading”

Temporary Intermittence

I know that my writing is not successful when I am not being honest, specifically when I am not being honest with myself. I have always used my writing to understand the world I live in, to understand how I form and partake in this world, to understand how I feel about myself; my actions,ContinueContinue reading “Temporary Intermittence”

Loneliness & Modernity

I once said that everyone should try living on his or her own. I am still a strong advocate of this, but now I have some more experience. Earlier this year I moved back to my family home, for what I thought would be quite a long time. This wasn’t the case. Within six monthsContinueContinue reading “Loneliness & Modernity”

Moving Out, Moving On

I am currently writing this sat on my one remaining cushion on the floor of my flat, where there is no furniture, surrounded by the last remnants of my current life. It’s the stuff that has no category, the stuff that will inevitably end up in the ‘last box of shite … I promise thisContinueContinue reading “Moving Out, Moving On”

Morrissey, So Much to Answer For

I move in circles that love The Smiths. On my thirteenth birthday I was gifted three CDs: The Kooks (don’t judge me, at that tender age they appeared the most promising tall, skinny, curly-haired musicians around), The Stone Roses and The Smiths – Meat is Murder. I was instantly enamoured with Meat is Murder. BroughtContinueContinue reading “Morrissey, So Much to Answer For”

This is not England: Shane Meadows and the Problematic North

Location is never an accident in Shane Meadows’ work; it is meticulously searched for and manipulated. After This is England (2007) he released Somer’s Town (2008) and demonstrated a preoccupation with space so precise that he filmed in black and white, so that location appeared consistent throughout, as highlighted in this quote from MeadowsContinueContinue reading “This is not England: Shane Meadows and the Problematic North”